In this first episode, Scott Esposito interviews Lorin Stein, editor of The Paris Review and former senior editor at Farrar, Straus and Giroux. They discuss editing the English version of Jean-Christophe Valtat’s 03 (translated by Mitzi Angel), procuring the rights to Roberto Bolaño’s works and editing Natasha Wimmer’s translations, and Stein's translation of Edouard Levé's book Autoportrait. Daniel Medin and Scott Esposito also chat about César Aira’s Varamo, László Krasznahorkai’s Satantango, and Robert Walser’s Berlin Stories.

On April 3, 2012, translators Jay Rubin and J. Philip Gabriel—best-known as the main English translators of Haruki Murakmai's novels and short stories—discussed their work with the Japanese master of the surreal's latest book, 1Q84. The event got off to a proper start with a discussion of one of the primary questions surrounding 1Q84: how do you pronounce its title? Jay Rubin canvassed the audience for answers, which ranged from "nineteen-eighty-four" to "eye-que-eight-four" (which Rubin ruled out, since the first character is a number one). He then went on to a discussion of the role that the title plays in the novel . . .

"The purpose of this book is to send readers off to new places--new places of the mind." So began Joshua Beckman's Two voices presentation of Micrograms by Jorge Carrera Andrade, described, in part, as the Japanese concept of haiku translated into the Latin America of the 20th century.