I’ve got gold fever 120 degrees
help: I need somebody
help: I need somebody
she’s tied to the train tracks (yellow dress and white bloomers)
the cowboy hidden in the meadow watching a private show some girls bathing in the river
a pall mall cigarette hangs from the hero’s mouth
(you can just barely make it out)
help: I need somebody
she shakes taca taca to the rhythm of the machine woo woo
she calls for help (black garters under the bloomers)
the cowboy smokes and watches/ serene
the startled river girls listen and cover their girl bits
they dissolve into mud
gaudy gallop down the mountain to rescue the damsel
backlit
at a trot cold beer from the motel what more my love
the rescue
and the railroad getting closer like a bull about to charge
and for added drama — far west no one like ya —
a rattlesnake looking for someone to bite
but the hero saves the damsel: and night falls
now they make love
and his horse chews contentedly in the barn
alongside a tractor a rocking chair on the porch
an ousted dog farther off a mail post
and the rattlesnake cooking over coals
there is so much joy
the moon is big and full
a steer skull beside a cactus a little gurgling from the river water
the little milk girls dance: mmh: the moon sets
and I whistle
help: I need somebody
help: not just anybody
they dance naked milky
and once in a while they cheer
José Eugenio Sánchez is an acclaimed poet and performer and the author of numerous collections, including la felicidad es una pistola caliente, escenas sagradas del oriente, and galaxy limited café, which was a finalist for the 2010 Jaime Gil de Biedma International Poetry Prize. Sánchez calls himself an “underclown,” and his aggressively playful work eagerly engages both pop and high culture with irreverence and insight. Originally from Guadalajara, Sánchez lives and writes in Monterrey, Mexico.